The science of dance and its history is still very far from the possibility of slender, naturally builds.
Can be roughly divided the development of French dance schools in four stages.

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Under Phase 1 of the old French school imply that state the French school of dance, which immediately preceded the French Revolution. It serves as the main stem and in the future, undergoing appropriate to continue these changes. The culmination of this phase - the dance of Auguste Vestris, it condensed into a single concept description - "sensual charm."

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The second phase of the French school of dance is carried to the extreme limit modification, which she experienced during the Revolution. Its distinguishing feature is - geometric.
French School of Dance Phase 1 continued to live next to the French school of dance 2 steps. Both of these species formed the basis of dance genius Taglioni. She created the French school of dance 3 stages - talonizm, the main features of which artistry and intimacy.

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French School of Dance 4 stages - is the current state of the French school of dance. Development of the Italian scientific school of dance in Renaissance peculiar. So how to achieve it fully merged and drowned in the French school of dance stage 1.
We call the Old Italian School, an Italian theatrical dance that existed in the XVIII century and is a mixture of professional virtuoso tradition, and French dance forms. The dancers of this period appear in France under the name sauteurs (jumpers), dance wrong, but is extremely strong.
Italy's new school, called the school and educated in Milan Blazis.
Constantly on the road, from city to city, from country to country - the primordial way of life memes. Thanks to "portability" of their profession memes less than other professionals affected by the turmoil during the fall of the Roman Empire and easily threw its activities in the country that gave them a more peaceful arena for performances. So gradually they tore across Europe, the technique of the grass-roots theater culture, a professional mime in those days were. If we recall that the dance was a profession of memes most central image. Try to find out what we know about the art of mime artists that we know about the technique of dance. In this way we try to find ground for judgments about whether we got through mimes something from an ancient dance, and is resting in some measure technique of theatrical dance modern times the technique of the ancient dance.