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| Home Event Info Schedule Registration Prize Money Vendors Results Contact Us | What a great place in the life of Greece held a dance well known. Many writers of antiquity, and dedicate his whole page treatises are countless images of dancers in sculpture and vase painting. All this material is widely used and studied, and the latest literature on the ancient dance is extensive, ranging from the XVII century, serious studies follow one another. Nevertheless, the professional dance can be learned from this whole pile of material is very, very scanty information. All of the studies devoted to the ancient dance together - from the iconic public to grassroots folk dance, and if the dance drama are its coverage, it is mostly dance round dance of tragedy and comedy, but for later times, dancing pantomimic. A virtuoso performance Andrey Rykov same professionals have always dealt with in passing. Major work on the history of ancient Greek dance is a book by Louis Seshan, published in Paris in 1930 - Summary of all previous work. Artisan earners, therefore, must be considered and all the performers dance and acrobatic stunts in such abundance as represented in the frescoes, and on various seals and other objects, artistically interpreted by. It's all images of acrobatic tricks related to training and daunting bulls. Everywhere depicted acrobat jump over the animal's back, sometimes holding on to its horns, sometimes making the so-called "cascade". Surrendering his hands from the back of a bull, an acrobat and burn through it, making the air turn upside down. Along with a male figure and female figures found in almost equal numbers. Pure dance images found during the excavations in Crete, give us an idea of the ritual dances associated with the cult of the sacred tree. You can not just ignore the image to print two dancing women: their Spanish manners, the whole posture, hand position just amazing. Not once have we recall the acrobatic element appearing as the basis for the activities of prehistoric litsedeya. We now turn to the days when the testimony of numerous literary sources we find already known to be professional leaders of the world of theater, which has long been flooded the entire ancient world. In various places they were different names, but the nature of their activities, in its diversity, one of: lower birth professionals scenic fun. Subsequently, mimes, a long time to approve their name. This - "buffoons, clowns, acrobats, jugglers," "dancers and buffoons. They acted in the squares, at festivals. In today's classical dance foundation is inverted statement feet. We can not expect a twisted setting foot in domestic dance. Inverted statement of the feet necessary only if you want to achieve virtuosity. |