More acquainted with the Greek dancing. The Greek dance existed acceptance of our classical dance. Technique of hands - a favorite Greek hironomiya - was designed with great detail and perfection.
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Dancing in Greece all, from top to bottom, from peasant to Socrates. And any educated people danced competently, as dance is not only ranked among the educational disciplines, but they are willing to continue to learn and adults, full-fledged citizens.
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We also know that all the dances of antiquity to dance for the audience, do not jump out of pleasure and not for their own entertainment. From all this it is clear that some level of dance technique possessed every citizen of the Greek community.
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Survived up to two hundred titles relating to ancient Greek dance. Classifications of dance involves many. Dance division at Seshan is as follows: 1) militant and ritual dances and education, 2) moderate religious dances - Emmel, dance covers and dance caryatids 3) orgiastic dancing, 4) social dance and theater festivals; 5) dancing in the home.
Emmel - dance measured in the slow pace, such as dances and farandole, if the curtains dance and dance and solo caryatids and more animated, still, none of the images does not indicate the need for vyvorotnoy setting foot for their execution. Dances of public festivities and celebrations were composed of species pyrrhic and Emmel.
And so we got to the dance theater, on which will have to stop. Each of the three types of theatrical performances of classical pore had his own dance: for tragedy - Emmel, for a comedy - kordak. for a satirical drama - sikkanida.
Dance tragedy particular attention is paid to all researchers. The procession of the choir, dances its organic link with the basics of lyric tragedy, the expressive nature of gestures in a more lively dance scenes, and stiffness conventional dance protagonists - all well lit and well known. And all these features dance tragedy exclude the possibility of using them in a virtuoso performance.
Kordak comedy as described in detail and presented in a vase painting. His obscene emphasized by all writers of antiquity;
Kordak not only dance, which was used in a comedy. Exit the comic chorus giving rise to a variety of dance associated with this situation.
Description of the dance brings us to the dance satirical drama, all those jumps, throwing the feet, clapping her hands over her stomach - all this we see the actors in this drama, as they draw us a vase-painting. This is a significant convenience. If the round dance of the comedy is almost nothing left in the images of vase paintings and judge the shape and the actors have to play it by analogy with the grass-roots theater actors, often playing, here we get help for judging and some of the dances in comedy.
Images dancing satyrs and sileni plentiful.
This is - the theater has a lower one the composition of its representatives. Until now we had to deal with the theater of free citizens, deal with them as amateurs. Although it has since mid-VI century BC. er. fans are beginning to join professionals to be paid for their work: first, a poet and director, his assistant, painter, and finally, the actor - still in the theater all the classic time remains in the basic structure of matter free, high and honorable. The composition of choirs include free and honorable citizens.