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Home Event Info Schedule Registration Prize Money Vendors Results Contact Us Classical dance - a system of creative thinking are drawing up the expressiveness of movements inherent in dance manifestations of man at different stages of culture. Take, for example, jump. We know the erratic jumping in a dance of primitive peoples, different types of jumps of national dances, in part reflected in the character dances ballet. All of these jumps doing is the same methods resorted to by people when they need to jump over the hurdle of life - housing, part of hands, footwork is similar. Classical dance schematizes jump exhaust all its possibilities. We can imagine: a leap from one foot to the other leg with one leg for two, with two feet on one, with two feet by two, and finally jump on one leg - that's all. Each of these species developed in classical dance to geometrically distinct schemes. This is achieved, firstly, that  jump  introduced into the dance is not erratic running start, or does not occur suddenly and accidentally; jump is prepared by introducing a coherent sequence of movements. Housing is kept in vertical position is very "unnatural". Instinct requires the reverse - to contract, to meet, but the Corps continues to direct a straight line foot or two feet, depending on the jump. Requirement of the classics - so we saw the leg on which to fall, straightened, with lowered toe in the air, until the fall. This gives us a clear line, that the ordinate at which our perception measures and classifies the motion. Similar schematization were all the dance moves: step, runs, turns the body and legs fingering inherent in the very primitive dance. Classical dance for the distinct forms had to be content with no human movement physiology. He gave her no opportunities that exist normally, reaching, however, the path traced by the development of forms of wildlife.