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Home Event Info Schedule Registration Prize Money Vendors Results Contact Us Professional dance we'll find in those centuries, when art has merged with crafts, when the artist considered himself the same craftsman as a goldsmith, was a nameless architect builder, a musician himself could make his instrument. Looking into the history teaches us that every era had its own set of possible virtuosic and expressive dance, they were bearers at different times, variously termed professionals face dance changed. But the foundation upon which we construct a professional dance, always the same: the inverted statement of the legs and jumping. Inverted statement of the legs - both anatomical prerequisite for freedom of virtuosic movement, jumping - atavistic primordial primitive religious dance, a virtuoso performance which provided the first "Artisan". These two features, traced the history of professional dancers who have brought us from Antiquity to the XIX century to the era when formed our modern classical dance. Professional dance has never remained the same, equal to myself a long period of time, forever in the development, evolution, and it has a distinct division, distinct stages associated with the birth of a new ideology, a new epoch in art. Every bright period in the theater, just brilliant talent bring their dance. Every era of art is incommensurable with
Any other: every era is looking at his art and completely their own, specific means. The fact that in the Middle Ages was riding art, ridiculed in later times, at least for academics end of the XVII century. But these academics have been the object of ridicule at the birth of Impressionism, and the Middle Ages, and understood and exalted.
The fact that the dance seems to ride Technology in 1899, plunged to a horror, but did not result in the viewer's delight Taglioni era. Rough, in the forty-horsepower, rollicking masterly manner and for the dance would not be considered. These dancers would be sent to the booths. Dance technique has always been "difficult." Classical dance has developed and formulated the basis of its equipment in France, and which belonged to first place in dance from the XVII to half of the XIX century. Classical dance, as in all of Europe was at this time completely dependent on the French choreographers to the early XX century. In the first decade of the twentieth century, things rapidly turned around and got the exact opposite relationship.