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Classical dance exhaust all these possibilities to the end, turn out using the formulation of the legs. In the normal position of leg movements are rather limited its structure. With abduction feet away femoral neck facing edge of the acetabulum, and further movement impossible.
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Without setting a twisted leg, is feasible only a tiny proportion of these movements. To provide reliable support for such an intensive foot building is also reconstructed on the "unnatural" way. Corps does not provide arbitrary move, bend, bend. Spine all the time held in position by muscles of the back, especially tangible and manageable in the sacrum. This arrangement gives him the appearance of the body organization, and willingness to move.
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The special structure attached to the skeleton hand, is a consequence of rebuilt to dance the whole skeleton as a whole. There is a classical dance has a similar violation of the natural physiology of human movement-pointes. Classical dance-product of centuries of art: everything in it is unnatural from the standpoint of the primitive impulses and dance all natural, if we approach the structure of the body and ideally set out to find his dancing capabilities.
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And pointe shoes. It brought to mind the end - nothing more: how high or get up at half fingers, leg still form a polyline. To get the same line, we can have in the air, jump - it is necessary to stand on her toes. Ballet performance is always colored by a certain point, the classical dance weighed as much trinkets - costumes, dramatic action, "Lyric", "coquetry", sometimes very